A politician who will go to any lengths to win public office, regardless of party affiliation or platform.
This is definitely a word that needs to be used more often.
Friday, July 30, 2010
Word of the Day: Snollygoster
Posted by Captain Noble at 3:10 PM 0 comments
Labels: Politics, Vocabulary
Thursday, July 29, 2010
On Shaving and Facial Hair (Or Lack Thereof)
I'm on vacation from work this week. One of the best parts of not working is not shaving everyday. I dislike shaving; it's a pain in the ass. So, when not working I try not to shave much. It is nice, but the downside is that it is a painful reminder of my lack of facial-hair-growing skills. Today is the sixth day since a blade has touch my face and here are the pathetic results.
Here is a straight on shot.
I know what you're thinking. Shane, you said you haven't shaved in six days, but your face hardly looks different. Yeah, don't remind me.
So, here are my profiles.
Six days and look how little is there! It's very patchy (which is probably giving it too much credit) and there is clearly more on my left side than on my right. I suppose I should be grateful that I can grow what I can and I am, but it would still be nice if I could, you know, have a full face of hair if I wanted it. My dad can grow a jungle on his face in just a couple of days. Why couldn't he pass that on to me instead of the receding hairline?
Anyway, in just a few days I will have to return to hacking off the seven hairs on my cheeks (five on the left, two on the right) and then I can go back to pretending that I could grow a full beard if I really wanted to. I just gotta believe.
Posted by Captain Noble at 10:16 PM 2 comments
Labels: Facial Hair
Wednesday, July 28, 2010
Bruce Bartlett, advisor to Reagan, Treasury official under Bush 41, and known liberal wacko has this to say about the current Republican party.
The Republicans don’t have any credibility whatsoever. They squandered whatever they had when they enacted a massive UNFUNDED expansion of Medicare in 2003. Yet they had the nerve to complain about Obama’s health plan, WHICH WAS FULLY PAID FOR according to the Congressional Budget Office. The word “chutzpah” is insufficient to describe how utterly indefensible the Republican position is, intellectually.
Furthermore, Republicans have a completely indefensible position on taxes. In their view, deficits cannot arise from tax cuts. No matter how much taxes are cut, no matter how low revenues go as a share of GDP, tax cuts are never a cause of deficits; they result ONLY AND EXCLUSIVELY from spending—and never from spending put in place by Republicans, such as Medicare Part D, TARP, two unfunded wars, bridges to nowhere, etc—but ONLY from Democratic efforts to stimulate growth, help the unemployed, provide health insurance for those without it, etc.
The monumental hypocrisy of the Republican Party is something amazing to behold. And their dimwitted accomplices in the tea-party movement are not much better. They know that Republicans, far more than Democrats, are responsible for our fiscal mess, but they won’t say so. And they adamantly refuse to put on the table any meaningful programme that would actually reduce spending. Judging by polls, most of them seem to think that all we have to do is cut foreign aid, which represents well less than 1% of the budget.
He speaks a little better of Dems.
Consequently, I have far more hope that Democrats will do what has do be done. The Democratic Party is now the “adult” party in American politics, willing to do what has to be done for the good of the country.
But, then he says this.
Unfortunately, I don’t think Democrats have the guts or the stamina to put forward a meaningful deficit-reduction programme because they know—as I do—that it will require higher revenues. But facing big losses in the elections this fall I can’t blame them. That leaves us facing political gridlock between the sensible but cowardly party and the greedy, sociopathic party. Not a pleasant choice for those of us in the sensible, lets-do-what-we-have-to-do-for-the-good-of-the-country independent centre.
I think this means we're fucked.
Posted by Captain Noble at 3:31 PM 0 comments
Labels: Democrats, Politics, Republicans
Tuesday, July 27, 2010
Kay Hagan Knows What Is Important
Recognizing the accomplishments of athletes. This is what elected officials are for. Not for crafting substantive legislation on matters like the economy or war or anything like that. Nope. Recognizing the achievements of highly paid, very famous sports figures is what it is all about.
Or something.
h/t: Ezra Klein
Posted by Captain Noble at 3:56 PM 0 comments
Labels: Absurdities, Democrats, Politics
Monday, July 26, 2010
Art vs. the Artist and Growing Up
Tasha Robinson has a great article on the AVClub discussing how our perception of an artist and what they have said or done may color our view of their work.
It’s hard to know exactly where knowing the context of a work—knowing about its creator’s history and goals—fades into bias, and an inability to see the work for itself. It’s hard to come to any piece of art without bringing our personal baggage with us. Ultimately, we all have to decide for ourselves whether a given film, show, book, or whatever is meaningful and worthy, and we do that with all the knowledge at our disposal, often more subconsciously than consciously.
But I still think that while we can’t help how we interpret something subconsciously, we can help whether we let an artist’s words or actions completely distract us from our own direct, personal reactions. And in the end, letting those things get in the way is unfair to ourselves, and to our own emotions. And it’s unfair to the art itself, and whatever it may move us to feel or think. Regardless of its intent, regardless of its creator’s behavior, regardless of what anyone else who experiences it says, something speaks to you or it doesn’t, all on its own.
It's a thought provoking piece and worth your time to read in full.
The main thrust of her topic is how what an artist says outside of their art can influence our perception of the art, though she also touches on an artist's actions (e.g. Mel Gibson). I've found that many books and movies I enjoyed as a youngster I now have a different understanding of or appreciation of whether or not I have learned more about its creator. One book, though, took on a much different tone for me after learning more about its author and reading it through more mature eyes.
I'm referring to Ender's Game by Orson Scott Card. I read this book when I was eleven or twelve and fell in love with it. How could an intelligent, outcast kid not love a book about an intelligent, outcast kid who is tasked with saving humanity? I read it more than once and it became one of my favorites. I strongly recommended it to many people.
Then I grew up. I found out that Card has a strong dislike for Muslims. He doesn't like gay people. He wrote a book about evil liberals overthrowing the American government and the courageous conservatives that must restore things to their natural order. In short, I found him to have a rather despicable world view.
But, that wasn't going to change my love for Ender's Game. How could it? None of that stuff was in the book that I could recall. So, a couple of years ago, I decided to read it to my daughters. I couldn't wait to share one of my favorite books with them.
It was different this time, though. I still enjoyed it and my daughters certainly did, but I couldn't help but seeing his political beliefs coming through and frankly I found it appalling at times. This essay does an excellent job taking apart many of the problems with the book, but I want to focus on the one thing that really shined through reading it again. If you have not read the book (and I do encourage you to because despite its issues, it is a very engaging story) stop here because spoilers ensue.
As Ender becomes more and more isolated by his trainers and is put through more and more torture and more students die at Ender's hands, it becomes clear that the ends justify the means for the protagonists of the book. The climax of this is Ender's genocide of an entire race of aliens that humans had been at war with. Topping it off, in the denouement, while Ender is vilified for becoming the Xenocide, he is portrayed in a sympathetic light. He did just what he had to in order to save humanity. He also didn't know what he was doing because he thought he was still just training.
In the essay I linked to above, an interview with Card is mentioned in which he states, "I don’t really think it’s true that ‘the road to hell is paved with good intentions.' Good people trying to do good usually find a way to muddle through. What worries me is when you have bad people trying to do good. They’re not good at it, they don’t have any instinct for it, and they’re willing to do a lot of damage along the way." This is a very scary road to go down. If a person has good intentions, can they really do no wrong? And, who judges whether or not a person's intentions are good? One person's good can be another person's bad. I see Card reading Watchmen and unequivocally applauding Ozymandias's actions at the end whereas Alan Moore makes the reader very uncomfortable if he or she finds themselves thinking that what Ozymandias did might be justifiable.
I think there are definitely lines that should not be crossed, that the ends most certainly do not justify the means. Reading Ender's Game when I was young, I did not see Card's beliefs shining through. But as I mentioned earlier, reading it through more seasoned eyes and after having read some of the vile crap that he spews, I have a more troubled outlook toward the book and frankly am appalled at many of the things Card stands for. I do think that art should stand on its own, that its meaning or interpretation is between the connoisseur and the art. However now that I know what I know about Card and now that I have grown up and learned so much more, I can't put that away and look at it the same way I did when I was twelve. I suppose a part of me longs for the naivete of my youth. A part of me wants to simply enjoy the story as a simple tale of a boy far more talented and intelligent than all those around him who must overcome adversity to save the human race.
It's a great story, but I'm saddened that it's not the same story anymore.
UPDATE: Changed the first sentence because by the time I got around to finishing this post, it was not today that Tasha's article was posted.
Posted by Captain Noble at 11:50 PM 0 comments
Labels: Art Interpretation, Books, Ender's Game, Orson Scott Card